“There’s something all wrong about this. God alone knows what it means.”
Lady’s Bower is the loveliest cottage in Somersetshire—more beautiful, even, than the nearby manor house Crosby Hall. Visitors are often surprised to find this choice property occupied by a servant, but Mrs. Lubbock deserves it after her years of service to the Crosby family. Mrs. Lubbock is enjoying a happy retirement, with her three daughters settled in life. Amy and Isabel are ladies’ maids in London. Lucy, a trained nurse, lives at home with her mother while working in the village hospital. It’s even rumored that Lucy has caught the eye of Dr. Christopher Crosby, the heir to Crosby Hall.
It seems impossible that anything bad could happen in such an idyllic setting. But the Lubbock family’s peaceful life is about to be shattered by violent death…not just once, but again and again. Continue reading “Cottage Sinister (1931) by Q. Patrick”
“I’m afraid. I’m afraid of this house. I’m afraid of every shadow and every sound. I’m afraid when the door opens; I think I’ll die during that split second when I see the door’s about to open and can’t see yet that it’s just a policeman. Or someone I know…”
From the outside, Rue’s life looks like a Cinderella story. The former nurse has married her boss, brilliant surgeon Brule Hatterick, after the death of his wife Crystal. But no one ever tells you what to do when the fairy tale goes wrong. Brule has married Rue out of convenience so that she can run his home and raise his teenage daughter in the same efficient way she runs the operating room. The household remains loyal to Crystal’s memory, however. Rue can’t seem to get a foothold with the servants and young Madge won’t even speak to her. Rue is painfully aware that she isn’t beautiful like Crystal. She doesn’t know her way around high society. And if her marriage to Brule is strictly business, how long is he going to keep her around if she can’t fulfill her side of the bargain?
Just when it seems her situation couldn’t get worse, Rue learns that police are investigating the death of Brule’s first wife. Rue was the nurse on duty when Crystal Hatterick died, and it would be very convenient for Crystal’s friends and family if an outsider were the killer. The clock is about to strike midnight. Rue’s happy ending is in danger…and so is her life. Continue reading “The Glass Slipper (1938) by Mignon G Eberhart”
“I write this in case of emergencies. I have reason to believe that I am in great danger and I cannot say how it will all end.”
The jury is in, and no one expects a surprise. Viola Ross is clearly guilty of murdering her husband Edward. She had the means, the opportunity, and certainly the motive—Edward Ross was suspicious of his younger wife’s relationship with his son Harry. Much to everyone’s shock, however, it’s a hung jury, with one juror refusing to convict.
The lone holdout on the jury is novelist Richard Arnold, who remains convinced of Viola’s innocence. He is determined to find the real killer before Viola’s retrial, even if it means risking his relationship, his reputation, and even his life. Continue reading “The Clock in the Hatbox (1939) by Anthony Gilbert”
“No one lives here, and no one comes here. The people who live round about, they wouldn’t come here if you paid them. And why wouldn’t they? Because, I’m telling you, it’s dangerous. It’s dangerous and it’s deep.”
All Ann Vernon wants is lunch, but her boyfriend Charles is late again. As she waits for him in the lobby of the Luxe Hotel, she can’t help overhearing a conversation nearby. “If he dies the whole thing will be in the papers. She must be got away at once before she knows,” says one man. “And then?” asks the other. A heavy silence is the only reply. As soon as Charles arrives, Ann forgets all about it. She has no idea these strangers are talking about her. Continue reading “Fear by Night (1934) by Patricia Wentworth”
“We may never know the truth of what happened. Maybe there isn’t any whole truth about anything, just a lot of versions, of different colors and different flavors, like ice cream, and you pick the most palatable.”
The holidays are a time to be with family, but Mrs. Hamilton never imagined she would be visiting hers in jail. Her daughter Virginia has been accused of an unspeakable crime, and she is a suspect that only a mother could love. Even Virginia’s own lawyer, Eric Meecham, dislikes his spoiled client and her overbearing mother. Little does he realize how complicated his first murder case is about to become. Continue reading “Vanish in an Instant (1952) by Margaret Millar”
“Christmas Day, thought Belle, and things going on just the same. People at the mortuary ready to bring round the hearse, doctors and policemen on duty, and all that crowd of idlers in the street, with nothing better to do than just stare at the house where a stupid woman, for whom nobody cared, was murdered last night.”
It’s Christmas Eve, and Belle Adair is about to cut her throat. Once a lady (more or less), Belle is now reduced to the most sordid poverty. Dancing in the pantomime when she’s lucky, walking the streets when she’s not, spending more and more of her meager funds on gin–it’s no kind of life, she decides. Due to a strange twist of fate, however, it isn’t Belle who is found with her throat cut on Christmas morning, but her neighbor Daisy. Belle is sure she knows more about the murder than Scotland Yard. If she plays her cards right, this could be the chance of a lifetime, but the slightest miscalculation could lead to Belle from the gutter to the grave. Continue reading “Moss Rose (1934) by Joseph Shearing”
Who among us has never told a lie? The power of domestic suspense comes from its ability to infuse the everyday with horror, even something as mundane as a little white lie. Few authors are more skilled than Jean Potts at tapping into these anxieties, and The Little Lie (reissued by Stark House) may be her masterpiece. Potts uses a single moment of dishonesty to prod at the many other secrets and lies hidden beneath the surface of small-town life, as one small sin escalates into shocking consequences. Continue reading “Reprint of the Year Nomination 2: The Little Lie”
“It’s terrible when you fasten all your life to a mirage…The worst of it all is when you begin to see the truth—not the truth as the other might have revealed it, but finding it scrap by scrap, little by little. All the time you’re clinging to what you thought was there, and the change, the corruption, is eating it away, and finally there is nothing at all and you think it would be better to die.”
California is a place to reinvent yourself, but what happens when that doesn’t work? When you don’t find what you’re looking for and there’s nowhere left to go? That’s why California noir is the most hopeless. For the characters in Dolores Hitchens’ 1954 novel Beat Back the Tide, California is the end of the line. The gulf between its dazzling promises and what it actually delivers is profound. Everyone has a past they are trying to forget, but, like the tide, it just keeps roaring back. Continue reading “Reprint of the Year Nomination 1: Beat Back the Tide”
“This is your own home, isn’t it? Nothing to be afraid of in your own home.”
Centuries ago, the king’s mistress would wait for him in the Queen’s Mirror, a white marble folly surrounded by water on the estate of White Priory. Now, movie queen Marcia Tait awaits her lover there on Christmas Eve. And it’s there that her body is found on Christmas morning, her beautiful face smashed in. But with only one set of footprints in the snow, how did her killer escape? Though murder is the last thing Sir Henry Merrivale wants for Christmas, he is the only one who can solve this impossible crime. Continue reading “The White Priory Murders (1934) by Carter Dickson”
“It’s a terrible thought. To murder anyone. You must have to hate them intensely, and there’s someone going round hating like that. It frightens me.“
Nurse Jessica Biggs is the backbone of the small rural hospital where she works. Her colleagues value her skill and efficiency as a nurse, yet her harsh manner has won her no friends either inside or outside the hospital. Plain, poorly educated, and aging, Sister Biggs knows that she cannot rely on anyone else to secure her future. Her position offers her access to sensitive information, things that her patients would not want anyone else to know. Sister Biggs knows how to keep a secret…for a price. Continue reading “Epitaph for a Nurse (1958) by Anne Hocking”