“You see, Mrs. Watson, fear is a wild animal and during these last years he has been unleashed and has roamed through the world, biting and infecting.”
Of all the people who saw the advertisement, only two take special notice. To Emily Watson, it seems like exactly what she needs: a lovely home available for a woman of refinement, surrounded by a peaceful forest. Emily’s accommodating nature has led her to be taken advantage of by a sponging nephew and “temporary” roommate who won’t be dislodged. A cottage in the woods could be the refuge she is looking for.
To Arthur Crook, it looks like a murder waiting to happen. In her haste to escape a bad situation at home, Emily may be rushing headlong toward something even worse. Continue reading “Die in the Dark (1947) by Anthony Gilbert”
“As one man becomes an engineer and another a doctor, so Henry became a husband. It was his living. The knocking off of his various wives when they had served their purpose was part of the routine, and involved no personal dislike or revenge…It was all perfectly simple, and his conscience never gave him a twinge.”
Some men balk at marriage, but not Henry. He’s always been an eager bridegroom. First to Greta…then Beryl…then Flora.
No one is likely to notice the commonplace deaths of insignificant middle-aged women—no one except lawyer Arthur Crook, who collects potential murders. When Sarah enters Henry’s life, it’s up to Crook to prove the truth about Henry’s career of widowhood before it’s too late. Continue reading “Lady-Killer (1951) by Anthony Gilbert”
“The whole of his past life with Blanche closed up behind him like one of those vanishing roads in the ancient fairy tale. Turn your head and there’s nothing to be seen. Not darkness, not shadows even, just nothing, because until now nothing real has existed.”
There is an unsolved mystery in my city, the disappearance of a young woman. Everybody knows that the friends who saw her last conspired to cover up her death. Even the most cursory Google search by employers or potential dates will reveal that they have been convicted of murder in the court of public opinion. These accusations will follow them until the case is solved…if that ever happens.
If they are guilty, this is something like justice—maybe the only justice the victim and her family will ever receive. But if they are innocent, they are living a nightmare.
This dilemma fascinates me, and must have fascinated Anthony Gilbert as well, since Death Takes a Wife is at least the third book of hers dealing with characters who have been accused, but not convicted, of a crime. How do you carry on with life knowing that everyone you meet believes you’ve gotten away with murder? Continue reading “Death Takes a Wife (1959) by Anthony Gilbert”