“Life is filled with new experiences, but this was one I could have gotten along without. Two dead men in one day is a little hard on the system at best; it makes it sort of rough, when you end up with one of them in the trunk of your car.”
Most men would stop if they saw the luscious Marilyn K. stranded by the side of the road. Sam Russell is no exception. Marilyn’s traveling companion has just been killed in a car crash. He’s a married man, and she doesn’t want to get involved in a scandal. When she begs Sam to drive her to a motel, flashing a suitcase full of cash, it all seems too good to be true…and it is. In the beginning, Sam wants the girl and the money. By morning, he’ll settle for escaping with his life, but it may already be too late. Continue reading “Marilyn K (1960) by Lionel White”
“Listen, baby,” he said. “I don’t think you quite understand. There was a dead man there, a man that I have every reason to believe was murdered. Someone murdered him. And someone saw me there in that house.”
Fairlawn Acres is a typical American suburb, full of average, ordinary families. Howard McNally has a beautiful wife and child, but can’t stop thinking about the teenage babysitter. Len Neilsen stumbles into the wrong house after a drunken dinner with his boss, only to find himself “in a strange house, in a strange bedroom, with a man who was very dead.” He doesn’t even know which house it was, since they all look alike.
And Gerald Tomlinson has just stolen $48,000 from the South Shore Bank in a bloody shootout—money he’s determined to keep by any means necessary. Continue reading “The House Next Door (1956) by Lionel White”
“I know about your kind of man. You’d as soon kill as not. You, and those others in there, you’re all of you alike. All of you cowards and killers.”
The kidnapping went off without a hitch, but pulling a job is one thing; getting away with it is another. Cal Dent has been planning this caper for years and he’s willing to do whatever it takes to make a clean getaway—even murder. But the more time he spends around one of his beautiful hostages, the more reluctant he is to let her go. As his perfect scheme starts falling apart, how far will Dent go to save his own skin? Continue reading “The Snatchers (1953) by Lionel White”